Oh, you know, the standard:
Fine, whatever, Nightmare on Elm Street it is

Oh, okay, classic standard:

Ugh, real life is scary enough:


Gimme Witches:

Gimme witches but maybe only kinda scary and don’t eat babies:

I prefer a more positive portrayal of my witches:

Maybe a little bit naughtier:

I like my horror with creepy children:


I like my horror with creepy children who speak German:

No wait, same story but in Korean:

Gimme orange-colored blood:
Anything by Roger Corman in the 1960s-70s, but try Masque of the Red Death

I like my horror with a dose of feminism:

Maybe not so scary–say, black and white, as long as it passes the Bechtel test:
The Bat Vincent Price gets top billing, but this is Agnes Morehead’s movie.

Nah, I like my horror with ’90s feminism:

I like my horror as a straight up allegory for feminism:

But dammit, it has to be intersectional:

But not with tired voodoo tropes:

I like my horror with a dose of feminism but also pulpy exploitation:

And a lot of monologuing and stretched-out discussions unrelated to the plot:

Blacksploitation w/ commentary on white aggression but will overlook requisite exploitation nudity:

Or I’ll just trust Jordan Peele and his horror and social commentary:

I like watching horror films, but hate being interrupted every 20 minutes to go to the door for trick-or-treaters:

I like my horror to be unsettling:

I want unsettling and in Greek:

Unsettling Greek but in English & it’s one of your favorite films:

Unsettling with Cold War anxiety

I like my horror to be unsettling and almost unwatchable:

I want to wonder what the hell I’m watching:

And question all my life choices:

Whatever happened to good old-fashioned ghosts?

Haunted houses do it for me:

Especially Japanese haunted houses:

But my 12-year-old stepdaughter is obsessed with The Shining:

You know what? Space actually scares the shit out of me:

But, like, with badass military:

With Michael Fassbender:

How about with TWO Michael Fassbenders?

Circuses and carnivals freak me out:

Especially with Alejandro Jodorowsky:

Terrifying carnivals but more psychologically accessible:
Something Wicked This Way Comes

God and the Old Testament terrify me:

Gimme Shakespearean:

Dammit, gimme highbrow and Shakespearean:


Wait, lowbrow and Shakespearean:
Theatre of Blood (bonus for Lady Tyrell fans)

Even lower-brow with James Earl Jones randomly quoting Othello:

I want to make my friends hate me:

I have a high threshold for unbearable things and I hate fascists:
Salò, or the 120 Days of Sodom

We needs vampires! We needs it!!!:
A Girl Walks Home Alone at Night (because they’d better not goddamn sparkle)

With adolescent angst:

With even more adolescent angst:

Never mind, I’m team werewolf:

Werewolves and irony:

Gimme Zombies:

Zombies forever:

But with Bill Murray:

I just wish David Bowie would come back to life as a vampire:

But I’ll settle for Tilda Swinton:

Speaking of, I want a universe in which Big Ed and Nadine stay together:

I always wanted a monster film set at a ski resort:

I like when real monsters are human beings:

Or when the scarier white people turn out to be the pseudo-liberals you thought you could trust:

Nah, I just want Ash:

No one talked about mummies yet:
Bubba Ho-Tep. There you go.

I want something literary, about writing (and I’m still upset that Mary Shelley was such a bad biopic):

I feel like I should go to the source, but is there a good Frankenstein movie?
No, but watch Mary Shelley’s Frankenstein anyway

But then I feel guilty not watching a feminist horror film:

Is there anything with a Babadook in it?

Dammit, I’m going to be home alone with my mom:

But she’s kinda down for weird culty shit:


You really, REALLY don’t want me to pass math, do you?
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